The Film Baby Film Analysis: A Sharp Portrait of LGBTQ+ Brazilian Survivors Lost in the Established Order

Channelling the metropolitan unease and pulsating life of São Paulo, Marcelo Caetano’s bracing drama zooms in on those who live on the fringes of an constantly evolving metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; left behind by his parents, the innocent young man seeks comfort in the arms of others.

On an late-night excursion with his lively group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler significantly older than his age. Bathed in the flickering glow of a neon-lit porn cinema, their introductory rendezvous is intimate and charged, with an edge of danger. Ronaldo quickly introduces Wellington to the shadowy world of prostitution and selling drugs.

A Portrait of Empathy Instead of Exploitation

Caetano depicts Wellington’s new life of crime with compassionate understanding as opposed to as a sensationalist cautionary tale. Now going by the name of Baby, he approaches his transactional encounters with brash fearlessness and endearing innocence. To his clients, Wellington offers more than his youth and his body, but also fleeting acts of kindness.

In the electrifying chaos of São Paulo, filled with crowded backstreets and colourful shopfronts, there’s a persistent isolation, as rootless people grasp at one another for momentary bliss.

"The streets might be fraught with peril, yet they are where they can find their own family, too."

A Complex Relationship of Love and Control

Ronaldo is simultaneously a partner and a protective father figure to Wellington, but their bond is sabotaged by envy and economic precarity. Dangers posed by dubious individuals in the shadow economy seem minor next to the anxiety about government monitoring and incarceration, represented by the hovering figures of police officers making their rounds.

Baby is most powerful as a keen observation of the disenfranchised individuals who have been failed by the social system. The film functions as a poignant exploration into survival, chosen family, and the search for identity within a unforgiving urban landscape.

Brian Schmidt
Brian Schmidt

Elena Visser is an architect and sustainability advocate with over a decade of experience in eco-design.